"Batavia 01", 2013, cyanotype on dyed cotton, 11" x 15.5"
Munch Gallery is pleased to announce Regatta, the New York premier of works from Yeni Mao’s Batavia project. Works in Regatta were made on location and in response to the modernist Bijlmer neighborhood in The Netherlands. Regatta explores the interaction of two historical events: the establishment of Batavia, Indonesia by the Dutch East India Company as the colonial center of its Asian empire in 1619, and the Bijlmerramp, the 1992 plane crash into the largely immigrant Bijlmer suburb of Amsterdam. The flight carried a cargo of chemical weapon ingredients from the U.S. bound for Israel. The exhibition centers around the video Whiskey Papa, where the image of a burning of a model boat is overlaid with the Air Traffic Control recording of El Al flight 1862, illustrating the interconnection of progress, catastrophe, and utopia, particularly in a post-colonial context. In Destroyer, Mao uses the knockouts from the boat model kit to create a large photogram mapping. A series of smaller works impose sail shapes from the boat on photogram imprints of public-domain images and data from the crash.
1619: The Dutch East India Company establishes the port city Batavia, now Jakarta, in Indonesia as the colonial capitol of Asia.
"Whiskey Papa", 2013, digital video, 5:43 ort [clip]
left: "Destroyer", 2013, cyanotype and acrylic on dyed cotton, 72" x 43"
right: "Southern Cross and Pointers, Monday 13 May 2013 13:07, Bosscha Observatory, ID", 2014, 8" x 10-1/4", archival inkjet mounted on aluminum
"Batavia 06", 2013, cyanotype and oil on dyed cotton, 15" x 21.75"
"Regatta" install on at Munch Gallery, New York 2014
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